{"id":3623,"date":"2022-08-04T09:09:12","date_gmt":"2022-08-04T09:09:12","guid":{"rendered":"https:\/\/dei.fe.up.pt\/csmdev\/?page_id=3623"},"modified":"2023-11-29T09:48:42","modified_gmt":"2023-11-29T09:48:42","slug":"publications","status":"publish","type":"page","link":"https:\/\/dei.fe.up.pt\/smc\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\t\t
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Journal Publications<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2023. Bernardes, G., Carvalho, N., Pereira, S. FluidHarmony: Defining an Equal-tempered and Hierarchical Harmonic Lexicon in the Fourier Space. Journal of New Music Research.\u00a0http:\/\/dx.doi.org\/10.1080\/09298215.2023.2202641<\/a><\/p>

2023. Clemente, M., Bernardes, G. Van Twillert, H., Ferreira, A., Amarante,\u00a0 J., Mendes, J. Oral Rehabilitation of a Saxophone Player with Orofacial Pain. Journal of International Medical Research. SAGE. http:\/\/dx.doi.org\/10.1177\/03000605231161285<\/a><\/p>

2022.\u00a0Bernardo, G., Bernardes, G.\u00a0Leveraging Compatibility and Diversity in Computer-aided Music Mashup Creation.\u00a0\u00a0Personal and Ubiquitous Computing. Springer\u00a0Nature.\u00a0http:\/\/dx.doi.org\/10.1007\/s00779-022-01702-z<\/a><\/p>

2022. Cl\u00e9ment, A. and Bernardes, G. Assessing the influence of multimodal feedback in Mobile-based musical task performance. Multimodal Technologies and Interaction. MDPI. http:\/\/dx.doi.org\/10.3390\/mti6080068<\/a><\/p>

2021. Cl\u00e9ment, A., Moreira, L., Rosa, M., Bernardes, G. Musical Interaction Control in Handheld Devices: Towards Design Guidelines informed by Daily User Experience. Multimodal Technologies and Interaction 5(7). Special Issue: Musical Interactions. https:\/\/doi.org\/10.3390\/mti5070032<\/a><\/p>

2021. Aly, L., Silva, H., Bernardes, G. Penha, R. Appropriating Biosensors As Embodied Control Structures in Interactive Music Systems. Journal Human Technology 17(1), 45\u201480. https:\/\/doi.org\/10.17011\/ht\/urn.202106223978<\/a><\/p>

2021. Salselas, I., Penha, R., Bernardes, G. Sound design inducing attention in the context of audiovisual immersive environments. Personal and Ubiquitous Computing 25(4), 737\u2013748. Springer. http:\/\/doi.org\/10.1007\/s00779-020-01386-3<\/a><\/p>

2020. Clemente, M., Moreira, A., Carvalho, N., Bernardes, G., Ferreira, A., Amarante, J., Mendes, J. Orofacial trauma on the anterior zone of a trumpet\u2019s player maxilla: concept of the oral rehabilitation. International Journal of Environmental Research and Public Health 17(24), 9423.\u00a0 Special Issue: A Multidisciplinary Approach on the Diagnosis and Treatment of Orofacial Pain Associated to Temporomandibular Disorders. https:\/\/doi.org\/10.3390\/ijerph17249423<\/a><\/p>

2020. Navarro-C\u00e1ceres, M., Caetano, M., Bernardes, G. S\u00e1nchez-Barba, M., Merch\u00e1n, J. A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space. Entropy 22(11), 129. Special Issue Artificial Intelligence and Complexity in Art, Music, Games and Design. https:\/\/doi.org\/10.3390\/e22111291<\/a><\/p>

2019.\u00a0 Ma\u00e7as, C., Rodrigues, A., Bernardes, G., Machado, P. MixMash: An Assistive Tool for Music Mashup Creation from Large Music Collections. International Journal of Art, Culture and Design Technologies, 8(2), 20-40. http:\/\/doi.org\/10.4018\/IJACDT.2019070102<\/a><\/p>

2019. Clemente, M.,\u00a0 Mendes, J., Moreira, A., Bernandes, G., Twillert, H., Ferreira, A., Amarante, J.\u00a0 A new classification of wind instruments: Orofacial considerations. Journal of Oral Biology and Craniofacial Research, 9(3): 268-276. https:\/\/doi.org\/10.1016\/j.jobcr.2019.06.010<\/a><\/p>

2019. Navarro-C\u00e1ceres, M., Caetano, M., Bernardes, G., Castro, L. ChordAIS: An Assistive System for the Generation of Chord Progressions with an Artificial Immune System. Swarm and Evolutionary Computation Journal. http:\/\/dx.doi.org\/10.1016\/j.swevo.2019.05.012<\/a><\/p>

2017. Bernardes, G. David Huron, Voice Leading: The Science Behind a Musical Art (Book Review). Portuguese Jounal of Musicology, 4(1):219-226<\/p>

2016. Bernardes, G., Cocharro, D., Guedes, C., Davies, M.E.P. Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space. ACM Computers in Entertainment – Special Issue on Musical Metacreation, 14(2). http:\/\/dx.doi.org\/10.1145\/2991145<\/a><\/p>

2016. Bernardes, G., Cocharro, D., Caetano, M., Guedes, C., Davies, M.E.P. A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance. Journal of New Music Research, 45(4): 281-294 . http:\/\/dx.doi.org\/10.1080\/09298215.2016.1182192<\/a><\/p>

2015. Beyls, P., Bernardes, G., Caetano, M. earGram Actors: An Interactive Audiovisual System Based on Social Behaviour. Journal of Science and Technology of the Arts (CITARJournal), 7(1):43-54. http:\/\/dx.doi.org\/10.7559\/citarj.v7i1.142<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Book Chapters<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2023. Bernardes, G. & Carvalho, N. A Computa\u00e7\u00e3o Sonora e Musical. Introdu\u00e7\u00e3o \u00e0 Programa\u00e7\u00e3o Criativa em Python. U.Porto Edi\u00e7\u00f5es<\/p>

2021. Cocharro, D., Bernardes, G., Gon\u00e7alo, B., & Lemos, C. A Review of Musical Rhythm Representation and (Dis)similarity in Symbolic and Audio Domains. In Lu\u00edsa Castilho et al. (Eds.) Perspectives on music and musicology. Current Research in Systematic Musicology, vol 7. Springer, Cham.\u00a0 https:\/\/doi.org\/10.1007\/978-3-030-78451-5_10<\/a><\/p>

2020. Corintha, I., Outeiro, L., Dias, R., Bernardes, G. AM-I-BLUES: An Interactive Digital Music Instrument for Guiding Novice Pianist in the Improvisation of Jazz Melodies. In: Raposo D., Neves J., Silva J., Correia Castilho L., Dias R. (eds) Advances in Design, Music and Arts. EIMAD 2020. Springer Series in Design and Innovation, vol 9. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-030-55700-3_48<\/a><\/p>

2020. Teixeira, P., Bernardes, G., & Davies, M. Fostering the database in Audio Production Environments by Affect Soundscape Retrieval. In Hidden archives, hidden practices: debates about music-making. UA Editora<\/p>

2020. Navarro-C\u00e1ceres, M., Caetano, M., Bernardes, G. Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space. In Evolutionary and Biologically Inspired Music, Sound, Art and Design. Springer International Publishing. https:\/\/doi.org\/10.1007\/978-3-030-43859-3_11<\/a><\/p>

2019. Bernardes, G. Um novo virtuosismo no saxofone. In A. Martingo & A. Telles (Eds.), Musica Intrumentalis: Experimenta\u00e7\u00e3o e T\u00e9cnicas n\u00e3o convencionais nos s\u00e9culos XX e XXI. H\u00famus<\/p>

2018. Aly, L., Penha, R. Bernardes, G. DIGIT: A Digital Foley System to Generate Footstep Sounds. In\u00a0 M. Aramaki et al. (Eds.) Music technology with Swing (pp. 151-170). Lecture Notes in Computer Sciences, vol. 11265. Springer Nature Switzerland. http:\/\/dx.doi.org\/10.1007\/978-3-030-01692-0_28<\/a><\/p>

2018. Bernardes, G., Davies, M., Guedes, C. A hierarchical harmonic mixing method. In\u00a0 M. Aramaki et al. (Eds.) Music technology with Swing (pp. 151-170). Lecture Notes in Computer Sciences, vol. 11265. Springer Nature Switzerland. http:\/\/dx.doi.org\/10.1007\/978-3-030-01692-0_11<\/a><\/p>

2018. Cerqueira, J., Clemente, M., Bernardes, G., Van Twillert, H., Portela, A., Gabriel, J., Vasconcelos, M. Thermographic evaluation of the saxophonists embouchure. In: J. Tavares & Jorge R. Natal. (eds) VipIMAGE 2017. ECCOMAS 2017 (pp 1069-1078). Lecture Notes in Computational Vision and Biomechanics, vol 27. Springer.\u00a0 http:\/\/dx.doi.org\/10.1007\/978-3-319-68195-5_119<\/a><\/p>

2015. Navarro, M., Caetano, M., Bernardes, G., de Castro, L. N., & Corchado, J. M. Automatic Generation of Chord Progressions with an Artificial Immune System. In Evolutionary and Biologically Inspired Music, Sound, Art and Design (pp. 175-186). Springer International Publishing<\/p>

2014. Bernardes, G. & Davies, M. E. P. Beyond Music Information Retrieval: A Proposed Model for Automatic Generation of Dialogic Music. In Zagalo, N., Oliveira, S., (Eds) (2014),\u00a0 Abordagens da Narrativa nos Media, CECS\/UM, Braga. ISBN: 978-989-8600-31-8<\/p>

2013. Bernardes, G., Guedes, C., & Pennycook, B. (2013). EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. In M. Aramaki, M. Barthet, R. Kronland-Martinet, & S. Ystad (Eds.), From Sounds to Music and Emotions (pp. 110-129). Lecture Notes in Computer Sciences, vol. 7900. Berlin-Heidelberg: Springer-Verlag. http:\/\/dx.doi.org\/10.1007\/978-3-642-41248-6_7<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Encyclopaedia Articles<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2019. Bernardes, G. & Cocharro, D. Dynamic Music Generation, Audio Analysis-Synthesis Methods. Encyclopedia of Computer Graphics and Games. Springer International Publishing<\/p>

2018. Aly, L. Penha, R. & Bernardes, G. Bio-Sensing in Interactive Art: A User Centered Taxonomy. Encyclopedia of Computer Graphics and Games. Springer International Publishing<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Conference Proceedings<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2023. Forero, J., Bernardes, G., Mendes, M. Emotional Machines: Toward Affective Virtual Environments. Proceedings of the ArtsIT. Springer. https:\/\/doi.org\/10.1007\/978-3-031-28993-4_28<\/a><\/p>

2023. Torresan, C., Bernardes, G., Caetano, E., Restivo, T. The singing bridge: sonification of a stress-ribbon footbridge. Proceedings of the ArtsIT. Springer. https:\/\/doi.org\/10.1007\/978-3-031-28993-4_25<\/a><\/p>

2022. Almeida, F., Bernardes, G., Weiss, C. Mid-level Harmonic Audio Features for Musical Style Classification. Proceedings of the ISMIR. Bengaluru, India, pp. 210-217. https:\/\/doi.org\/10.5281\/zenodo.7316632<\/a><\/p>

2022. Forero, J., Bernardes, G., Mendes, M. Emotional Machines: Toward an Affective Virtual Environment. Proceedings of the 30th ACM International Conference on Multimedia. Lisbon, Portugal. https:\/\/doi.org\/10.1145\/3503161.3549973<\/a><\/p>

2022. Aly, L., Bota, P., Godinho, L., Bernardes, G., Silva, H. Acting emotions: physiological correlates of emotional valence and arousal dynamics in theatre. ACM Interactive Media Experiences. Aveiro, Portugal. https:\/\/doi.org\/10.1145\/3505284.3532985<\/a><\/p>

2021. Barboza, J., Magalh\u00e3es, E., & Bernardes, G. Towards Best Practices in Spatial Audio Post Production: A Case Study of Brazilian Popular Music. International Conference on Immersive and 3D Audio. Bologna, Italy. https:\/\/doi.org\/10.1109\/I3DA48870.2021.9610908<\/a><\/p>

2021. Gon\u00e7alo Bernardo and Gilberto Bernardes. Leveraging Compatibility and Diversity in Computational Music Mashup Creation. Audio Mostly. Trento, Italy. https:\/\/doi.org\/10.1145\/3478384.3478424<\/a><\/p>

2021. Cl\u00e1udio Lemos, Diogo Cocharro and Gilberto Bernardes. Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach. Audio Mostly. Trento, Italy. https:\/\/doi.org\/10.1145\/3478384.3478418<\/a><\/p>

2021. Pereira, S., Bernardes, G. The Atonal Harmonic Syntax in Fourier’s Space. Proceedings of the Encontro Nacional de Investiga\u00e7\u00e3o em M\u00fasica, Coimbra, Portugal<\/p>

2021. Animashaun, A. & Bernardes, G. Noise promotes disengagement in dementia patients during non-invasive neurorehabilitation treatment. Conference: Doctoral Congress in Engineering: Symposium on Occupational Safety and Health, Porto, Portugal. https:\/\/doi.org\/10.24840\/978-972-752-279-8_0009-0014<\/a><\/p>

2021. Lopes, D., Bernardes, G., Aly, L., & Forero, J. Tumaracatu: An Embodied Digital Musical Experience of Maracatu. Proceedings of the 11th Workshop on Ubiquitous Music. Matosinhos, Porto, Portugal. http:\/\/dx.doi.org\/10.5281\/zenodo.5564751<\/a><\/p>

2021. Carvalho, N., Gonzalez-Gutierrez, S., Sanchez-Jara, J., Bernardes, G., & Navarro-C\u00e1ceres, M. Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music. 8th International Conference on Digital Libraries for Musicology. https:\/\/doi.org\/10.1145\/3469013.3469023<\/a><\/p>

2021. Bernardes, G., Ramoneda, P., & Miron, M. Unveiling High-level Discriminant Harmonic Descriptors of Musical Style in the Tonal Interval Space. Proceedings of 16th International Conference on Music Perception and Cognition<\/p>

2021. Carvalho, N., Bernardes, G. SyVMO: Synchronous Variable Markov Oracle for modeling and predicting multi-part musical structures dependencies.\u00a0 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design. Seville, Spain. https:\/\/doi.org\/10.1007\/978-3-030-72914-1_3<\/a><\/p>

2021. Sousa, D., Bernardes, G., Correia, N. Ninja Turtles Race: A Reaction Time Test to study and assess the focus of attention, motor and cognitive skills in children’s learning processes. Proceedings of the International Technology, Education and Development Conference. Valencia, Spain. https:\/\/doi.org\/10.21125\/inted.2021.0983<\/a><\/p>

2020. Pereira, S., Bernardes, G. The Fourier phase sphere: a method for computer-assisted atonal composition. Proceedings of the International Congress of Music and Mathematics (MusMat)<\/p>

2020. Cruz, C., Magalh\u00e3es, E., Bernardes, G. AcouRe: Streamlining the generation of immersive soundscapes from monophonic sources. Proceedings of the Sound, Image and Interaction Design Symposium. Funchal, Portugal<\/p>

2020. Ramoneda, P. & Bernardes, G. Revisiting Harmonic Change Detection. Proceedings of the 149th Audio Engineering Society Convention. Audio Engineering Society. http:\/\/www.aes.org\/e-lib\/browse.cfm?elib=20945<\/a><\/p>

2020. Ramires, A., Bernardes, G., Davies, M.E.P., & Serra, X. TIV.Lib: An Open-Sounce Library for the Tonal Description of Musical Audio.\u00a0 International Conference on Digital Audio Effects. Vienna, Austria<\/p>

2020. Arandas, L., Carvalhais, M., Grierson, M., Bernardes, G., Penha, R.\u00a0 Facing a Middle-Ground of Symbolic Importance in Artificial Co-Creative Systems.\u00a0 International Conference on Computational Creativity. Coimbra, Portugal<\/p>

2020. Carvalho, N. & Bernardes, G. Towards balanced tunes: A review of symbolic music representations and their hierarchical modeling. International Conference on Computational Creativity. Coimbra, Portugal<\/p>

2020. Bernardes, G. Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram. Proceedings of the International Conference on New Interfaces for Musical Expression. Birmingham, UK<\/p>

2020. Pessoa, M., Parauta, C., Lu\u00eds, P., Corintha, I., Bernardes, G. Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy. Proceedings of the International Conference on New Interfaces for Musical Expression. Birmingham, UK<\/p>

2020. Magalh\u00e3es, E., Jacob, J., Nilsson, N. Nordahl, R., Bernardes, G. Physics-based Concatenative Sound Synthesis of Photogrammetric models for Aural and Haptic Feedback in Virtual Environments. Proceedings of the IEEE VR Workshop on Sonic Interaction in Virtual Environments. http:\/\/dx.doi.org\/10.1109\/VRW50115.2020.00081<\/a><\/p>

2019. Arandas, L., Gomes, J., Bernardes, G., & Penha, R. Never The Less: A Performance on Networked Art. Procedings of the xCoAx – Conference on Computation, Communication, Aesthetics & X, Milan, Italy<\/p>

2019. Aly, L., Penha, R., & Bernardes, G. Performative Sound Design: a bio-signal control metaphor for theatre sound design. Proceedings of the Doctoral Congress in Engineering (DCE). FEUP, Porto<\/p>

2019.\u00a0 Almeida, I., Cabral, G. & Bernardes, G. AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. Proceedings of International Conference on New Interfaces for Musical Expression, pp. 168-169, Porto Alegre, Brazil<\/p>

2019. Magalh\u00e3es, E., Bernardes, G., H\u00f8eg, E., Pedersen,\u00a0 J., Serafin, S., & Nordhal, R. Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering. Proceedings of the Sound and Music Computing Conference, pp. 348-355, M\u00e1laga, Spain<\/p>

2018. Pereira, J., Bernardes, G., Penha, R. MusikVerb: A harmonically adaptive audio reverberation. Proceedings of the Digital\u00a0 Audio Effects (DAFx) Conference, Aveiro, Portugal<\/p>

2018.\u00a0 Ma\u00e7\u00e3s, C., Rodrigues, A.,\u00a0 Bernardes, G., &\u00a0 Machado, P.. Mixmash: A visualisation system for musical mashup creation. 22nd International Conference Information Visualisation<\/p>

2017. Bernardes, G., Davies, M.E.P., & Guedes, C. A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 104-115, Matosinhos, Portugal<\/p>

2017. Caetano, G., Bernardes, G., Twillert, H., Clemente, M., Gabriel, J. A Sensor-Augmented Saxophone Mouthpiece for Unveiling the Mechanics of\u00a0 Saxophone Tone Formation. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 459-469, Matosinhos, Portugal<\/p>

2017. Aly, L., Penha, R., Bernardes, G. DIGIT: An Assistive System for the Generation of Footstep Sounds in Audio Post Production. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 295-306, Matosinhos, Portugal<\/p>

2017. Br\u00e1sio, M., Lopes, F., Bernardes, G., & Penha, R. Qualia – A Software for Guided Meta-Improvisation Performance. Proceedings of the Sound and Music Computing Conference, pp.58-62, Helsinki, Finland<\/p>

2017. Bernardes, G., Davies, M., & Guedes, C. Automatic Musical Key Estimation with mode Bias. Proceedings of the International Conference on Acoustics, Speech, and Signal Processing (ICASSP), New Orleans, USA, pp. 316-320. http:\/\/dx.doi.org\/10.1109\/ICASSP.2017.7952169<\/a><\/p>

2017. Pereira, J, Bernardes, G., & Penha, R. Musically-Informed Adaptive Audio Reverberation. Book of Abstracts of the 2nd Symposium on Electrical and Computers Engineering, pp. 22-23, Porto, Portugal. (Best oral communication award)<\/p>

2016. Bernardes, G. & Davies, M. Audio Key Finding in the Tonal Interval Space. Submission to the Music Information Retrieval Evaluation eXchange (MIREX) \u2014 Audio Key Detection<\/p>

2016. Bernardes, G., Aly, L., Davies, M. SEED: Resynthesizing Environmental Sounds from Examples. Proceedings of the Sound and Music Computing Conference, pp. 55-62, Hamburg, Germany<\/p>

2016. Penha, R., Bernardes, G. Beatings: A Web Application to Foster the Renaissance of the Art of Musical Temperaments, Proceedings of the Sound and Music Computing Conference, pp. 402-406. Hamburg, Germany<\/p>

2016. Cabrita, N. & Bernardes, G. Relational interactive art: a framework for interaction in a social context. Expressive 2016, Computational Aesthetics\u2014(bridging papers). http:\/\/dx.doi.org\/10.2312\/exp.20161264<\/a><\/p>

2015. Bernardes, G., Davies, M., & Guedes, C. A Pure Data Spectro-Morphological Toolkit for Sound-Based Composition. Proceedings of the Electroacoustic Winds, pp. 31-38. Aveiro, PT<\/p>

2015. Bernardes, G., Cocharro, D., Guedes, C., & Davies, M.E.P. Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space. Proceedings of the 11th International Symposium on Computer Music Modeling and Retrieval (CMMR), (pp. 71-86). Plymouth, UK<\/p>

2015. Beyls, P., Bernardes, G., & Caetano, M. The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis. Proceedings of the xCoAx Conference, Glasgow, Scotland, UK<\/p>

2014. Bernardes, G.,\u00a0 Davies, M. E. P., Guedes, C., & Pennycook, B. Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition. Proceedings of the Joint International Computer Music and Sound and Music Computing Conference, 318-324<\/p>

2012. Bernardes, G., Peixoto de Pinho, N., Louren\u00e7o, S., Guedes, C., Pennycook, B., & O\u00f1a, E. The Creative Process Behind Dialogismos I: Theoretical and Technical Considerations. Proceedings of the ARTECH 2012 – 6th International Conference on Digital Arts. Algarve, Portugal<\/p>

2012. Bernardes, G., Guedes, C., & Pennycook, B. EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes. Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), London, UK<\/p>

2010. Bernardes, G., Guedes, C., & Pennycook, B. Style Emulation of Drum Patterns by Means of Evolutionary Methods and Statistical Analysis, Proceedings of the Sound and Music Computing Conference, Barcelona, Spain<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Address<\/strong>
<\/p>

Faculdade de Engenharia da Universidade do Porto<\/span>
Departamento de Engenharia Inform\u00e1tica<\/span>
Rua do Dr. Roberto Frias, s\/n<\/span>
4200-465 Porto Portugal<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Journal Publications 2023. Bernardes, G., Carvalho, N., Pereira, S. FluidHarmony: Defining an Equal-tempered and Hierarchical Harmonic Lexicon in the Fourier […]<\/p>\n","protected":false},"author":60,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3623","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/pages\/3623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/comments?post=3623"}],"version-history":[{"count":79,"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/pages\/3623\/revisions"}],"predecessor-version":[{"id":4058,"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/pages\/3623\/revisions\/4058"}],"wp:attachment":[{"href":"https:\/\/dei.fe.up.pt\/smc\/wp-json\/wp\/v2\/media?parent=3623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}